Eric Edson’s 'The Story Solution' review
Overview: presents a character-driven blueprint built around 23 “Hero Goal Sequences” that map a protagonist’s emotional and physical transformation.
Concept: Edson’s method argues that great stories feature proactive heroes who pursue clear goals through a series of action-based and emotional steps that create momentum and engagement.
Strength: highly accessible, concrete, and practical, with clear examples and a focus on keeping protagonists active and narratives moving forward.
Weakness: the 23-step structure can feel rigid or prescriptive, especially for ensemble stories or writers working in unconventional narrative forms.
Conclusion: a strong resource for writers seeking hands-on guidance for building dynamic, goal-driven protagonists and forward-moving plots, though not ideal for writers who prefer looser or more experimental approaches.
Robert McKee’s 'Story' review
Overview: presents storytelling as a craft of psychological and thematic depth, not formula, emphasizing why aöö narrative resonates emotionally and intellectually.
Concept: McKee’s principles and rigorous scene design frame story structure as an organic unfolding driven by character and meaningful change.
Strength: unparalleled depth and analytical precision, offering writers a sophisticated understanding of arcs, theme, and narrative coherence across film, TV, and literature.
Weakness: dense, authoritative, and high cognitive load can overwhelm beginners or writers seeking a simple structural roadmap.
Conclusion: essential reading for serious storytellers ready to engage deeply with narrative theory; not the most accessible entry point, but one of the most rewarding for long-term craft mastery.
Jill Chamberlain’s 'The Nutshell Technique' review
Overview: teaches screenwriters to build plot from a character’s flaw and transformation, not formula.
Concept: the book’s “Nutshell” structure links character, theme, and plot for emotionally cohesive storytelling.
Strength: clear, practical framework, great for fixing second-act slumps and weak character arcs.
Weakness: less suited to ensemble or action-heavy scripts.
Conclusion: strong recommendation for adding to your understanding of the relationship between plot and character.
Blake Snyder’s 'Save the cat!' review
Overview: teaches screenwriters to build plot from audience investment and commercial beats, not intuition alone.
Concept: the book’s beat sheet and Save the Cat! principle break storytelling into market-tested steps that ensure emotional engagement and momentum.
Strength: clear, accessible structure that demystifies Hollywood pacing and genre, especially useful for beginners and writers aiming for mainstream appeal.
Weakness: formula-heavy approach can feel restrictive and may lead to predictable story choices in more unconventional or experimental scripts.
Conclusion: strong recommendation for anyone learning classic commercial story craft, even if your goal is eventually to bend or break the rules.
Syd Field's 'Screenplay' review
Overview: teaches screenwriters the foundational three-act structure and plot-point pacing that shaped modern screenplay theory.
Concept: Field’s method links character motivation to structural turning points, using act breaks and plot points to guide story momentum.
Strength: clear, systematic instruction with practical tools for pacing, scene work, and character goals, reinforced by classic film examples.
Weakness: rigid page-count focus and conventional structure make it less useful for non-linear or experimental storytelling approaches.
Conclusion: essential foundational reading for understanding traditional screenplay structure, whether you follow it strictly or evolve beyond it.